Print Festival Scotland 2016
Roseangle Arts Cafe Gallery
17 Roseangle
Dundee
DD1 4LP
Monday 30th May to Saturday 2nd July
open 10am to 4pm Monday to Saturday
Artists talk evening of Thursday 30th June.
Print Festival Scotland 2016
Roseangle Arts Cafe Gallery
17 Roseangle
Dundee
DD1 4LP
Monday 30th May to Saturday 2nd July
open 10am to 4pm Monday to Saturday
Artists talk evening of Thursday 30th June.
16-29 May
Memorial Art Gallery
7 Cambridge Rd, Hastings TN34 1DJ
I have been drawing the changes in Hollington Valley nature reserve over the last year, from the end of one winter to the end of the next, as a struggle takes place between Seachange Sussex, Hastings Council and environmental campaigners about the building of another road. Not your idyllic Spring Watch in a Sussex bluebell wood but an observation of the processes that drive out protected species to prepare the land for tarmac. The drawing is a record of place, an act of witness of a heavy footprint, a capturing of spirit; it bears an imprint of conversations with local walkers, security guards, and residents of Emmaus.
See news report in Hastings Observer of how to draw surrounded by security guards
‘St Leonards Edgelands’ is a print installation, part of Point of Decay, made for the launch event of Coastal Currents Arts Festival in Bottle Alley, St Leonards on Sea, East Sussex, curated by Zeroh.
Bottle Alley runs along the southernmost edge of St Leonards and has decayed physically and socially since it was built in the 1930s. The images of caryatids and incident tape tie the coastal edge of the town to its northern edgeland, Hollington Valley nature reserve, which has been until a couple of months ago a home to animal, plant and human populations. Now it has been felled to make way for a road, two roundabouts and industrial estates. Edgelands are full of riches of one sort and another. Biodiversity or ‘development’ potential epnding upon your perspective. A legal challenge to preserve the northern edgeland has been launched. The prints on the southern edgeland decayed, peeled, and have now been removed.
This linocut has been made to support the legal action by eight women deceived into long term intimate relationships with undercover police officers who were infiltrating environmental and social justice campaign groups. http://policespiesoutoflives.org.uk
The first in “The World is My Country” series celebrating the anti war movements during the First World War. The whole story can be found on theworldismycountry.info
Victor Hugo’s wonderful long poem The Big Story of the Lion was written for his grandchildren. It has been newly translated by Timothy Adès and illustrated by Emily Johns. This thick concertina book published by Hearing Eye is available from Inpress for £6.
Emily Johns travelled to Iran in 2006 and again this February on an international peacemaking delegation. She has created an exhibition of lino prints about the history of British/Iranian relations over the last century – tobacco, tutus, coups and chemical weapons.
Hastings Arts Forum 36 Marina, St Leonards on Sea, TN38 0BU Preview: Friday, July 05 at 6:30 – 8:30pm
www.drawingparadise.org
Thursday 4 July 7.30pm: The Cow, Iranian film hosted by St Leonards Film Society
Thursday 11 July 11:00am: Artist’s talk
7.30pm: A Separation, Iranian film hosted by St Leonards Film Society
Saturday 13 July 12:00am – 2:00pm: Printmaking and stories for children age 8-12yrs
Sunday 14 July 2:30pm: Iranian film and discussion hosted by St Leonards Film Society
Tuesday 16 July 7:00pm – 9:00pm: “The Rose and the Nightingale” a Persian Divan with divine refreshments. Bring Persian poetry to share. Donations welcome. Stephen Watts will be reading his translations of Ziba Karbassi, also two very fine poets Reza Baraheni & Esmail Kh’oi. Krysia Mansfield and Las Pasionaras will be singing her new composition composed for the exhibition. Sufi stories told by Ariane Hadjilias. Rumi performed by Fari Bradley.
An exhibition at University College London. Website link here
This exhibition explores how artists with diverse practices and perspectives experienced the invasion and occupation of Iraq and how they responded to it by engaging with questions of space, place, landscape and territory.
Bringing together artists from Iraq and Britain, it shows six works that give material form to the violence, anxiety and ruin of war but which also raise questions about resistance, resilience and dreams of peace. Opening in the week of the tenth anniversary of the invasion, the exhibition presents alternative perspectives on the conflict and challenges our ways of seeing war.
In Trebuchet Magazine
UCL Department of Geography, Pearson Building, Gower Street, London WC1E 6BT 11am-4pm,
27th March 2013
Introduction
Questions of geography – of space, place, home, environment, landscape and territory – are a recurring theme in the responses of artists to war. But how do they figure in the relationship between art and peace? How can we understand the role that spatial practices and spatial themes play in creating peace as well as in articulating resistance to war and violence? This workshop will explore these questions with reference to the Iraq war but also branch out to consider the relationship between geography, art and peace more broadly. With talks by artists Rashad Selim and Emily Johns and academic Bernadette Buckley (Goldsmiths, University of London), and touching on issues of oil, water and ecology as well as politics and war, the workshop provides an opportunity to reflect on how art, activism and critical spatial practices can inform one another.
Drawings done during my participation on the Fellowship of Reconciliation peace delegation to Iran 8-19th February 2013.
Our blog from the delegation and more information can be found here